{"id":227,"date":"2026-08-14T11:00:00","date_gmt":"2026-08-14T15:00:00","guid":{"rendered":"https:\/\/realrockrevival.com\/index.php\/2026\/08\/14\/the-day-that-metallica-trolled-the-world\/"},"modified":"2026-08-14T11:00:00","modified_gmt":"2026-08-14T15:00:00","slug":"the-day-that-metallica-trolled-the-world","status":"publish","type":"post","link":"https:\/\/realrockrevival.com\/index.php\/2026\/08\/14\/the-day-that-metallica-trolled-the-world\/","title":{"rendered":"The day that Metallica trolled the world"},"content":{"rendered":"<article>\n<p>When Metallica embarked upon their 23 month Wherever We May Roam tour in the summer of 1991, they produced a tour programme with a difference.<\/p>\n<p>Alongside the traditional glossy band photos, the San Francisco band chose to mock those who\u2019d sneered at their ascendancy by re-printing a series of caustic reviews in the programme\u2019s pages. Pity poor Paul Maldonado Jr of the <em>El Paso Herald Host<\/em>, a journalist who reviewed one Metallica show mentioning a song the band had never played live at that point (<em>The God That Failed<\/em>) and another song that doesn\u2019t actually exist in their catalogue (\u201cto their knowledge [Metallica] have never written a song called <em>Carry On<\/em>\u201d, the programme read). So pleased were they by this wheeze, that the quartet pulled the trick again later in the decade, emblazoning the cover artwork of their <em>Whiskey In The Jar<\/em> single with all the scathing reviews the cover version had garnered following it\u2019s inclusion on the <em>Garage Inc<\/em>. album.<\/p>\n<p>When the band\u2019s official  &#8216;Glastallica&#8217; T-shirt was unveiled ahead of their scheduled appearance at Europe&#8217;s biggest festival on June 28, 2014, they revisited this tactic again, printing a collection of negative notices on the reverse of their Peace, Love &amp; Metal shirt, including a line pulled from <a href=\"https:\/\/www.theguardian.com\/music\/2014\/may\/08\/metallica-at-glastonbury-another-half-baked-vanity-project\">a column written by <em>Metal Hammer<\/em>&#8216;s Dom Lawson&#8217;s for <em>The Guardian<\/em><\/a><em>: &#8220;<\/em>Metallica at Glastonbury. Whoopee-fucking-doo.&#8221;<\/p>\n<figure class=\"van-image-figure  inline-layout\" data-bordeaux-image-check>\n<div class=\"image-full-width-wrapper\">\n<div class=\"image-widthsetter\">\n<p class=\"vanilla-image-block\"><img decoding=\"async\" alt=\"Metallica &apos;Glastallica&apos; T-shirt\" src=\"https:\/\/cdn.mos.cms.futurecdn.net\/HeufXdjxiBwPYts76Pis5g.jpg\" align=\"middle\" width=\"0\" height=\"0\" class=\"expandable\" \/><a href=\"https:\/\/cdn.mos.cms.futurecdn.net\/HeufXdjxiBwPYts76Pis5g.jpg\" target=\"_blank\" class=\"expand-button icon-expand-image icon\"><\/a><\/p>\n<\/div>\n<\/div><figcaption class=\" inline-layout\"><span class=\"caption-text\">Metallica &#8216;Glastallica&#8217; T-shirt <\/span><\/figcaption><\/figure>\n<p>When you\u2019re the biggest metal band in the world, it\u2019s pretty easy to laugh off the haters, but there\u2019s a certain chutzpah involved in gleefully appropriating that negativity, even if the methodology is tried and tested. That smart-ass move alone would have been enough to demonstrate that Metallica weren\u2019t about to kowtow to the chattering classes and media commentariat ahead of their much-discussed Glastonbury headline set, but there was more in store.<\/p>\n<p>Before Metallica took to the Pyramid Stage on June 28 to become the first metal band ever to headline the festival, they premiered a specially commissioned film, produced by the acclaimed British film maker Julian Temple \u2013 the man who made <em>The Great Rock \u2018n\u2019 Roll Swindle<\/em> for the Sex Pistols, a smart reference which will have gone over the heads of most of those who viewed it \u2013 juxtaposing archive footage of \u2018Tally Ho\u2019 English toffs on a fox hunt, with documentary footage of four murderous bears on a killing spree. <\/p>\n<p>If you haven\u2019t yet seen the clip, we won\u2019t spoil the ending for you but its intention \u2013 <a href=\"https:\/\/www.loudersound.com\/news\/metallica-face-glastonbury-protest\">to wind up those aggrieved over James Hetfield\u2019s former role in bear hunts<\/a> \u2013 was clear. <\/p>\n<p>Strike two to Metallica.<\/p>\n<div class=\"youtube-video\" data-nosnippet>\n<div class=\"video-aspect-box\"><\/div>\n<\/div>\n<p>Metallica\u2019s final piece of passive-agressive piss-taking was more subtle. <\/p>\n<p>Ahead of a crushing version of <em>Sad But True<\/em>, James Hetfield stepped up to the mic, to dedicate the song to to \u201call the British heavy metal bands that have been dreaming and still dream of playing this stage\u201d, a gently barbed comment clearly aimed at <a href=\"https:\/\/www.loudersound.com\/news\/glasto-s-too-middle-class-for-maiden-bruce\">a certain British metal singer who\u2019s taken every opportunity to criticise the band\u2019s decision to play Glastonbury<\/a>. <\/p>\n<p>And then there was the gig itself. Let\u2019s be honest, the \u2018debate\u2019 over whether Metallica could or should play Glastonbury was ended by the time the \u2018<em>Die! Die! Die!<\/em>\u2019 breakdown of <em>Creeping Death<\/em> echoed across the Somerset countryside. Was it the best Metallica gig ever? Absolutely not. But for 100 minutes on a rainy night in England, the biggest metal band in the world proved exactly why no-one has toppled them from their perch in the 23 years since the &#8216;Black Album&#8217; was released. <\/p>\n<p>For all the Twitter frenzy and clickbait media scaremongering, there\u2019s no doubt who woke up the morning after with the biggest smiles on their faces.<\/p>\n<div class=\"youtube-video\" data-nosnippet>\n<div class=\"video-aspect-box\"><\/div>\n<\/div>\n<\/article>","protected":false},"excerpt":{"rendered":"<p>When Metallica embarked upon their 23 month Wherever We May Roam tour in the summer of 1991, they produced a tour programme with a difference. Alongside the traditional glossy band photos, the San Francisco band chose to mock those who\u2019d sneered at their ascendancy by re-printing a series of caustic reviews in the programme\u2019s pages. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":228,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-227","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"_links":{"self":[{"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/posts\/227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/comments?post=227"}],"version-history":[{"count":0,"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/posts\/227\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/media\/228"}],"wp:attachment":[{"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/media?parent=227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/categories?post=227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/tags?post=227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}