{"id":545,"date":"2026-08-21T16:00:00","date_gmt":"2026-08-21T20:00:00","guid":{"rendered":"https:\/\/realrockrevival.com\/index.php\/2026\/08\/21\/stone-temple-pilots-velvet-revolver-legend-scott-weiland-on-his-10-favourite-scott-weiland-songs-for-me-its-absolutely-essential-not-to-get-stagnant-creatively-and-to-keep-re-inventing-t\/"},"modified":"2026-08-21T16:00:00","modified_gmt":"2026-08-21T20:00:00","slug":"stone-temple-pilots-velvet-revolver-legend-scott-weiland-on-his-10-favourite-scott-weiland-songs-for-me-its-absolutely-essential-not-to-get-stagnant-creatively-and-to-keep-re-inventing-t","status":"publish","type":"post","link":"https:\/\/realrockrevival.com\/index.php\/2026\/08\/21\/stone-temple-pilots-velvet-revolver-legend-scott-weiland-on-his-10-favourite-scott-weiland-songs-for-me-its-absolutely-essential-not-to-get-stagnant-creatively-and-to-keep-re-inventing-t\/","title":{"rendered":"Stone Temple Pilots, Velvet Revolver legend Scott Weiland on his 10 favourite Scott Weiland songs: &#8220;For me, it\u2019s absolutely essential not to get stagnant creatively and to keep re-inventing things&#8221;"},"content":{"rendered":"<article>\n<p><a href=\"https:\/\/www.loudersound.com\/features\/the-tragic-life-and-unavoidable-death-of-scott-weiland\">Scott Weiland<\/a> was best known as the singer of <a href=\"https:\/\/www.loudersound.com\/features\/every-stone-temple-pilots-album-ranked-worst-to-best\">Stone Temple Pilots<\/a> and hard rock supergroup<a href=\"https:\/\/www.loudersound.com\/bands-artists\/interviews\/the-unlikely-birth-of-velvet-revolver-the-supergroup-who-triumphed-against-the-odds\"> Velvet Revolver<\/a>. During his two spells with the former, he appeared on six studio albums, including the multi-platinum releases <a href=\"https:\/\/www.loudersound.com\/features\/stone-temple-pilots-we-wanted-to-make-an-indelible-mark-on-the-face-of-music\"><em>Core<\/em><\/a> (1992) and <em>Purple<\/em> (1994).<\/p>\n<p>Over the course of a colourful and eventful 30-year career, Weiland went from grunge whipping boy to one of rock\u2019n\u2019roll\u2019s most charismatic stars. <\/p>\n<p>The Californian singer was one of those artists who polarised opinions. Fans loved him for all his \u2018eccentricities\u2019, while critics and certain band members balked at his legendary unreliability and emotionally charged outbursts.<\/p>\n<p>&#8220;When I\u2019m burnt out from touring I describe myself as the dark clown,&#8221; he once told <em>Classic Rock<\/em>. &#8220;But then I also think of myself as someone that tries to bring light into people\u2019s lives. Music is a universal language and what gets me off is that one and a half hours onstage where I can be someone else, from song to song.\u201d<\/p>\n<p><a href=\"https:\/\/www.loudersound.com\/features\/the-tragic-life-and-unavoidable-death-of-scott-weiland\">Weiland passed away on December 3, 2015<\/a>. Earlier that year he spoke with us about his favourite songs from his storied career.<\/p>\n<figure class=\"van-image-figure  inline-layout\" data-bordeaux-image-check>\n<div class=\"image-full-width-wrapper\">\n<div class=\"image-widthsetter\">\n<p class=\"vanilla-image-block\"><img decoding=\"async\" alt=\"Lightning bolt page divider\" src=\"https:\/\/cdn.mos.cms.futurecdn.net\/9NEqLC5NR7NbqTgbAwFLMk.png\" align=\"middle\" width=\"600\" height=\"34\" class=\"inline\" \/><\/p>\n<\/div>\n<\/div>\n<\/figure>\n<h2>Stone Temple Pilots \u2013 Plush<\/h2>\n<p>\u201cThis song kinda wrote itself: Robert [DeLeo, STP bassist] came in to the studio with this guitar riff and set of chords and the melody just came right out. I had working lyrics that I used initially and then finished off once we had a demo recorded. <\/p>\n<p>&#8220;When the song was released we were actually on tour supporting Megadeth, and by the time <em>Plush<\/em> became a hit there were more people coming to see us than Megadeth, which rather changed the whole vibe of the tour: at the start we were playing to heavy metal fans who didn\u2019t know what to make of us, but by the end we had our own crowd.&#8221;<\/p>\n<div class=\"youtube-video\" data-nosnippet>\n<div class=\"video-aspect-box\"><\/div>\n<\/div>\n<h2>Stone Temple Pilots \u2013 Interstate Love Song<\/h2>\n<p>\u201cThis is a great song, and a very important song for us: it was a number one single on the rock charts, which really helped the album sales, and it\u2019s still played on radio all the time. <\/p>\n<p>&#8220;We wrote the whole <em>Purple<\/em> album really fast: some of the ideas were floating around while we were touring <em>Core<\/em>, but most of the songs came together really quickly during a two week pre-production stint in a rehearsal studio, before we flew to Atlanta to record with Brendan O\u2019Brien at his Southern Tracks studio. I think we recorded the whole album in ten days, it really flew by, but the songs stand up great.&#8221;<\/p>\n<div class=\"youtube-video\" data-nosnippet>\n<div class=\"video-aspect-box\"><\/div>\n<\/div>\n<h2>Stone Temple Pilots \u2013 Big Bang Baby<\/h2>\n<p>\u201cThis was definitely a departure from what we\u2019d done on <em>Core<\/em> and <em>Purple<\/em>, and showed some of our glam rock influences. With that album we wanted to do something lo-fi and under-produced \u2013 we recorded drums for one song on the studio lawn &#8211; and I think it worked out great. <\/p>\n<p>&#8220;I love this video because it\u2019s so tongue-in-cheek, as is the song, and I still play <em>Big Bang Baby<\/em> with my band The Wildabouts. People didn\u2019t always get the humour in STP, but songs like this and <em>Art School Girl<\/em> were quite playful.\u201d<\/p>\n<div class=\"youtube-video\" data-nosnippet>\n<div class=\"video-aspect-box\"><\/div>\n<\/div>\n<h2>Scott Weiland \u2013 Barbarella<\/h2>\n<p>\u201cI started working on this song on a four-track recorder, and the drum beat loop was something I did on a cheap drum machine. We took the demo to a big 24-track recording studio, and I worked with an engineer friend of mine, Tracy Chisolm, and my ex-brother-in-law Tony Castaneda to build the song up into the finished version. <\/p>\n<p>&#8220;I happened to be in the lounge of the studio watching <em>Barbarella<\/em> on TV which gave me the idea for the lyrics, which are a kind of tribute to the film.&#8221;<\/p>\n<div class=\"youtube-video\" data-nosnippet>\n<div class=\"video-aspect-box\"><\/div>\n<\/div>\n<h2>Masters Of Reality \u2013 Jindalee Jindalie<\/h2>\n<p>\u201d[Masters of Reality frontman] <a href=\"https:\/\/www.loudersound.com\/features\/masters-of-reality\">Chris Goss<\/a> produced some songs for me with my first side band, The Magnificent Bastards: we went into the studio with him a couple of times to record music, including the theme song from the <em>Tank Girl<\/em> movie, <em>Mockingbird Girl<\/em>. <\/p>\n<p>&#8220;I was a huge fan of Masters Of Reality, so working with them was cool: it was quite a liberating experience and it was something I felt I needed to do at the time, in order to get a breath of fresh air.&#8221;<\/p>\n<div class=\"youtube-video\" data-nosnippet>\n<div class=\"video-aspect-box\"><\/div>\n<\/div>\n<h2>Stone Temple Pilots \u2013 Days Of The Week<\/h2>\n<p>\u201cWhen I first heard this I thought it was a catchy tune, but maybe a little too pop heavy: as far as the lyrics and melody go I decided to take a Beatles-style approach, and that worked out well. Looking back, I think we probably shouldn\u2019t have released it as the first single from <em>Shangri-La Dee Da<\/em> because typically we started with a heavier song first, and I think this would have made a better second single. But it seemed right at the time, I guess.&#8221;<\/p>\n<div class=\"youtube-video\" data-nosnippet>\n<div class=\"video-aspect-box\"><\/div>\n<\/div>\n<h2>Velvet Revolver \u2013 Set Me Free<\/h2>\n<p>\u201cThis was actually the first song we wrote together, and it was a huge hit for us. We wrote it in the studio, then got our record deal off that one song: we did a showcase for a real who\u2019s who of the music industry in our rehearsal space in Los Angles and that was the only song that we had, but it was enough to start a bidding war for the band. <\/p>\n<p>&#8220;This was on the <em>Hulk<\/em> soundtrack, and it was kinda amazing to have a song be that successful from a soundtrack album, but along with <em>Slither<\/em> this was one of the songs that really turned people on to Velvet Revolver.\u201d<\/p>\n<div class=\"youtube-video\" data-nosnippet>\n<div class=\"video-aspect-box\"><\/div>\n<\/div>\n<h2>Velvet Revolver \u2013 She Builds Quick Machines<\/h2>\n<p>\u201cI love this song. At the time I was listening to a lot of <a href=\"https:\/\/www.loudersound.com\/features\/every-queens-of-the-stone-age-album-ranked-from-worst-to-best\">Queens of the Stone Age<\/a>, in fact all of us were, because we were playing on a lot of festivals with them, and I think the main riff to this has a Queens-type of vibe, and a really cool melody. <\/p>\n<p>&#8220;<em>Libertad<\/em> wasn\u2019t as commercially successful as <em>Contraband<\/em> but I think the music on that album is great \u2013 even better than <em>Contraband<\/em> on some songs \u2013 and Brendan O\u2019Brien\u2019s production is fantastic, so I really have a lot of affection for this album.&#8221;<\/p>\n<div class=\"youtube-video\" data-nosnippet>\n<div class=\"video-aspect-box\"><\/div>\n<\/div>\n<h2>Scott Weiland \u2013 Winter Wonderland<\/h2>\n<p>\u201cI know this album took people by surprise, but I\u2019ve always wanted to do an album of Christmas standards in a traditional style. It was a really excellent experience recording that album, a lot of fun to sing with a full orchestra, strings, brass, piano and upright bass. I\u2019ve always felt that if I\u2019ve had an inclination to do something artistically I should follow my instincts and this one worked out well. <\/p>\n<p>&#8220;For me, it\u2019s absolutely essential not to get stagnant creatively and to keep re-inventing things, but this wasn\u2019t ever going to take me away from rock \u2018n\u2019 roll permanently.&#8221;<\/p>\n<div class=\"youtube-video\" data-nosnippet>\n<div class=\"video-aspect-box\"><\/div>\n<\/div>\n<h2>Scott Weiland &amp; The Wildabouts &#8211; Modzilla<\/h2>\n<p>\u201cWorking on <em>Blaster<\/em> was a great experience, probably the most fun I\u2019ve had since making <em>Core<\/em> with STP: it\u2019s been a lot of fun starting over. This is a great rock song, with an amazing guitar riff, and it really sets the tone for the album. I\u2019m almost rapping the melody here in the verses, spitting out a lot of syllables over the beat, and I think that makes it a really original song. I think it\u2019s a good entry point into the album.&#8221;<\/p>\n<div class=\"youtube-video\" data-nosnippet>\n<div class=\"video-aspect-box\"><\/div>\n<\/div>\n<\/article>","protected":false},"excerpt":{"rendered":"<p>Scott Weiland was best known as the singer of Stone Temple Pilots and hard rock supergroup Velvet Revolver. During his two spells with the former, he appeared on six studio albums, including the multi-platinum releases Core (1992) and Purple (1994). Over the course of a colourful and eventful 30-year career, Weiland went from grunge whipping [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":546,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-545","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/posts\/545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/comments?post=545"}],"version-history":[{"count":0,"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/posts\/545\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/media\/546"}],"wp:attachment":[{"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/media?parent=545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/categories?post=545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/realrockrevival.com\/index.php\/wp-json\/wp\/v2\/tags?post=545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}